Ypsi Freak Fest 2024 and The Great Album Project (2024-10-08)

a big circle with colorful half circules protruding from it. It's the cover to the Hohokum soundtrack

Listened to a lot of records this week AND went to the Ypsi Freak Fest. I was only able to attend the first day but it was great. Most of the bands I wanted to see were outdoors and it was free. Got to see a few musicians and bands I’ve wanted to see for a while like Dr. Pete Larson and Tyvek, and discovered new bands like Pet Me, Golden Feelings, and Tanager. If you want to discover a ton of bands mostly local to Ann Arbor, you can check out the list here. Apparently there was some discourse on Saturday when a band pulled out at the last second, citing that the word Freak is problematic, protesting an art grant from the city to pay bands and how it’s not DIY, and privately messaging other bands to pull out, and IMO they should touch grass.

That aside, great festival! It was an incredible experience seeing a band like Tyvek play on a mostly empty street at night to like 20-30 people at most. I don’t go to concerts very often these days because I have 3 kids and don’t want covid, so when I feel safe enough to go it’s an absolute delight and I treasure every minute of live music.

My journey to listen to every record in my collection continues:

The Chameleons: What Does Anything Mean? Basically (1985, YouTube)
Great album. I guess they were doing the punctuation in the middle of album titles thing before 00s era bands. Recommended if you like 80s alternative bands like early New Order. Not that they sound exactly like them but I think that’s the closest comparison point I can think of. I feel like Strange Times or Script of the Bridge are considered to be better but this is my favorite one by them. I think I originally picked it up about 10-12 years ago online, probably from Discogs.

Everything but the Girl: Fuse (2023, YouTube)
After a 20+ hiatus, EBTG finally released a new album. I always thought it was funny that the band was considered broken up since it’s a married couple that has been living together this whole time. I think this may be their best album? EBTG is weird in that I think they generally get better with every album, which feels pretty rare and it’s incredibly rare for a band that has been around for this long. Tracey Thorn sounds amazing, I love the effects they do in some parts to make her voice sound messed up, the writing is up to the standards of previous albums, and the bloops and beats are better than ever.

The Mountain Goats: The Jordan Lake Sessions: Vol. 1 and 2 (2020, Bandcamp)
4 LPs! Not essential listening I suppose but as a long time fan it’s been very fun hearing live-ish (no audience) versions of the songs with a different lineup of the band than when most of them were first recorded. A lot of the new versions have a jazzier sound, which is a fun take on them.

The Faint: Dance Macabre (2001, YouTube)
It’s fine I guess. I loved the album when I first listened to it around 2007 but it actually feels pretty dated to me now and hasn’t aged in a way that I find charming. It doesn’t help that the album feels very front loaded to me with the hits.

The Innocence Mission: See You Tomorrow (2020, Bandcamp)
The Innocence Mission is a long running band from the 90s but I believe the core of the group are married couple Don and Karen Peris. They’re kind of indie/alternative folk music I guess? This album feels more stripped down compared to previous albums but I don’t think that’s a problem. Karen’s singing is still lovely and I think the writing is just as good as ever. I’ve bought two physical albums from the band on Bandcamp and both times I got a really nice note from Karen thanking me for buying the album.

Benoît Pioulard: Caverning (2018, Bandcamp)
This was a nice little 7″ I got for free because he was giving them away at his show at the Ypsi Freak Fest. I assume he just wanted to be rid of them since he performs under a different name now but it’s really a nice duo of songs. Both are ambient but the b-side is quite a bit noiser. I recommend his current project Golden Feelings if you want more ambient from him.

Pet Me: Abomination (2022, Bandcamp)
This was another single that I bought during the Ypsilanti Freak Fest. An interesting thing about this one was that it’s a square? Like the grooves are still a circle but it’s like they didn’t cut off the extra material. I wonder if it’s cheaper that way. The record must be cheaper to produce because getting my record player to play on the grooves was also pretty finnicky. That said, I think this is some very good punk rock. This is a band from Lansing that I wasn’t aware of until the festival but I’ll have to pick up some of their other stuff.

Various Artists: Hohokum soundtrack (2014, Bandcamp)
This is the soundtrack to the video game Hohokum. It’s been a while since I played the game. I remember enjoying it quite a bit and think it’s probably something I could revisit with my kids. But even if you have no interest in ever playing the game, it’s a very good collection of songs if you enjoy more uplifting and generally relaxing electronic music. The album compiles various artists on the Ghostly label and serves as a very good snapshot of who was on the label at the time.

Mint Mile: Heartroller (2018, Bandcamp)
I’ve reviewed Mint Mile albums a couple times here before. It’s the current project of Silkworm/Bottomless Pit’s Tim Midyett. Before they started releasing full length albums, they did a series of four EPs and this is my favorite one. It’s just a really solid set of 4 whistful rock songs and I think the steel pedal guitar in these songs sounds great.

The Great Album Project (2024-10-01)

It’s the first day of October. Not a fan! Here are the records I listened to this week. A shorter post this time but that’s alright.

Same Eyes: Desperate Ones (2022, Bandcamp)
I posted about this band before in a previous one of these. This is an Ann Arbor darkwave/new wave band and some other local folks like Warren Defever seem to be involved with the production. It’s good! It’s a little more darkwave than the previous album, which is something I like, but I found the songs to be just slightly less memorable, so they actually sorta rank at about the same level for me. I actually got this one for free when I bought the other album from them on Bandcamp, which was incredibly nice. I guess they have a 3rd album coming out soonish, or they’re at least working on it, so I’ll pick that one up too.

Sad Lovers & Giants: Feeding the Flame (1983, YouTube)
Sad Lovers & Giants is a UK post-punk band that started in 1980. I’m not sure how well known they actually are, but they’re still around today and putting out new music. I don’t know them too well outside of this album and a handful of songs outside of this, but I really enjoy it and should probably listen to more of them. It’s a really strong album that maybe trails off a little towards the end but I’d recommend it to people who liked early 80s post-punk or bands like The Chameleons and Echo & The Bunnymen I guess? It’s probably not the best comparison but it’s what I can think of. I picked this one up at UHF Records in Royal Oak, probably about 12 years ago. For whatever reason I was always there and they seemed to have a great assortment of 80s post punk at the time, before record collecting picked up in popularity again to the state that it is now.

The Great Album Project (2024-09-24)

My journey to listen to every record I have continues!

cover of the album King's Chill vol. 2, featuring an old desktop computer by some music equipment

Dr. Pete Larson: Field Drift 2 (2023, Bandcamp)
For some reason I thought this was going to be field recordings but it’s actually minimalist electronic music. I think it’s pretty great. It was created by Dr. Pete Larson, a local musician in Ann Arbor. I got this one for free when I bought a different record and got this as an unexpected bonus.

Various Artists: Dropchord sountrack (2013, Bandcamp)
Soundtrack for a now unavailable game. I remember enjoying the game and this is a nice soundtrack that fits it. It’s just a solid compilation of noisy, danceable electronic music with maybe a small dubstep influence to it as well since it was published in 2013.

Mint Mile: Roughrider (2024, Bandcamp)
The latest and best (imo) album by them. Tim Midyett’s (most famous for Silkworm) current band. I think they’re great

The Fall: The Frenz Experiment (1988, YouTube)
I don’t actually have that many The Fall records and this was a pickup I got about half a year ago. I really enjoyed this one. The reviews for this one were positive but I saw one or two that think the band went on autopilot for this one. I can maybe see that for one or two of the songs but it also has some of their most well known songs like Victoria and Hit the North, two of my favorites.

Various Artists, produced by Space Quest Historian: King’s Chill Vol. 2 (2021, Bandcamp)
A collection of chill and electronic covers (remixes?) of songs from the King’s Quest series. To be honest, I don’t actually know a lot of songs on this one that well since a lot are from KQ 5 and 8, which I haven’t played in a long time, but I still think it’s pretty great.

Mary Timony: Untame the Tiger (2024, Bandcamp)
I really only know Mary’s stuff in her heavier rock bands like Ex Hex, Wild Flag, and Helium but the songwriting in here is excellent. I’ve have one of her solo albums from 20 years ago, but even that has a very different sound. This almost has more of a country sound in parts. I think it’s cool that all of her bands and solo work are all under the Rock genre but still have very different sounds.

The Great Album Project (2024-09-17)

album cover for Same Eyes's album "parties to end" that shows a collage of photos including a city skyline, a radio tower, and a woman's face with another eye pasted over it

Inspired by the Aaron Giles page where he talks about ripping his entire cd collection, I have decided to listen to every record (and CDs and Bandcamp purchases) and give tiny blurbs on them. I’ll do these posts on a weekly basis so they won’t get overwhelming and people can just skip them. Collecting records for 15 years and marrying someone who also collects them means I have a pretty decently sized music collection in my basement, with a lot of records I haven’t heard in a long time or have never listened to. I can’t imagine this will be interesting to most people but it will be a lot of fun for me since I listen to a ton of music while programming or after work anyway. Plus maybe it will help people find new music to listen to. I actually already ripped all my CDs earlier this year so I’m not getting to those yet. Most of these reviews will have links to Bandcamp pages as well. I’m also working on a page where all of these reviews will be listed.

His Name is Alive: How Ghosts Affect Relations 1990-1993 (2024, Bandcamp)
This preorder actually arrived a bit early so I got to listen to it on vinyl before I can listen my download of it. An incredible box set containing 3 albums I love, along with some bonus tracks and booklet. The remasters sound fantastic and I can’t recommend these albums enough to people who are a fan of the dream pop/shoegaze sound that a lot of 4AD bands had at the time. It will never be weird to me that these albums were being recorded almost directly behind my childhood home while I was a kid. The main person behind this band, Warren Defever, apparently lived grew up here and then bought the home from his parents to use as a studio up until the mid 90s and I was just riding my bike by it every day. Weird! All 3 albums are great but I think my ranking of them is 1. Livonia 2. Mouth by Mouth 3. Home is in Your Head. Livonia is the first album released and named after the city where I grew up. It probably has the the most experimental sound, with the albums drifting to a more radio friendly sound with Mouth by Mouth sounding the most approachable to me.

Jean-Michel Jarre: Magnetic Fields (1981, YouTube)
I’m not an expert on him by any means and he definitely has more famous albums, but this is still a good one IMO. Just some nice electronic bleeps and bloops. It sounds more poppy and dance than I would expect from him, but again, I’ve only heard a tiny bit of his work (the Oxygene albums).

Love Spirals Downwards: Flux (1998, Bandcamp)
I feel like with the resurgence of Y2K nostalgia, especially among Gen Z folks, this seems like an album that they would be really into. This drum & bass and ambient album was released in 1998 but the version I listened to is the vinyl rerelease that came out in 2024. I think the rerelease sounds great. City Moon is the first song I heard by LSD so it will always have a soft spot for it, but I think all the songs on here are solid. To be honest, I don’t actually know the band’s discography that well outside of this and their compilation Temporal. I should probably listen to more of them since I like these two releases and have a lot of nostalgia for this era of music. I’m linking to the vinyl rerelease but there’s also a deluxe digital edition on Bandcamp that has a lot of bonus tracks. The vinyl release also features an essay and thoughts about the album too.

Mint Mile: The Bliss Point (2016, Bandcamp)
I believe this is the first EP by Tim Midyett’s band Mint Mile. Tim is more famous for being a member of Silkworm, but I really like this band too. This was not the first album I heard by them, but I think it’s a good intro for anyone curious. It’s just a very good and straightforward rock album consisting of 4 songs, maybe with the tiniest bit of a country sound in some songs

Same Eyes: “Parties to End” (2021, Bandcamp)
A synth pop/dark wave band from Ann Arbor, Michigan. I think it’s an enjoyable collection of songs if you’re a fan of 80s new wave bands. I hesitate to call it synth pop since it’s a little darker, but I think there’s also an element of cheese that makes me want to associate them with that genre too. Even though it’s clearly inspired by a lot of classic new wave/dark wave bands, I still think they have their own sound. It’s not like when a vaporwave band is just copying the same sounds as many other vaporwave bands and ends up sounding like “generic 80s synth song” (I know that’s not all vaporwave btw). Lots of Michigan connections with this album too. I discovered them through my local NPR station, local musician legend Fred Thomas helped record the album, and Warren Defever from local band His Name is Alive mastered the album at Third Man Records in Detroit