Developer: Grace Bruxner, Thomas Bowker Publisher: worm club, SUPERHOT PRESENTS Year: 2018 Genre: Adventure System: Mac
Frog Detective 1: The Haunted Island is a short first-person adventure game where you are a detective who is also a frog and need to investigate reports of a ghost haunting the island. My oldest has been playing the series on her own and her younger sister wanted to see them so we just played through the first one together. I’m glad I got to revisit it because I liked it more than I remembered and my daughter loved it. I had always liked the game but I had some small gripes about the game that were much more minor than I remembered.
The gameplay is very simple. You walk around and talk to various characters on the island, asking them about the ghost, other folks, and if they need help with anything. You continue doing this and helping them with their needs and it eventually leads you to the end of the mystery and game. The puzzles are very simple and there’s no fail states, which may frustrate some experienced adventure gamers, but the focus of the game is on the humor and art and I think that makes it a great intro to adventure games for folks. It’s also fun exploring the space that Grace created, which is filled with a lot of fun little details to look at if you aren’t trying to rush through the game.
The gripes that I had with the game before still remain but are much more minor than I remember. The puzzle solving is a bit repetitive since it’s mostly dialog puzzles you solve by going from person to person but again, I think it’s mostly fine since it’s not meant to be a challenging game anyway. The other issue I have is that the humor does start to feel repetitive towards the end as well, but the game is very short (45-60 minutes) that once I had started to feel that way, the game was getting to wrap up anyway. It was also much easier to overlook since I played it with my 6 year old and she was having a great time walking around and talking to everyone. I think playing the game with someone who doesn’t have Gamer Brain really helped me appreciate that it’s a game filled with lovely artwork and that I should just take my time exploring this space instead of viewing it as a series of conversation puzzles to solve.
I have to imagine that anyone who is reading this already knows about the series and has either played it or never will, but maybe this recommendation will slightly nudge you towards checking it out or replaying the game.
It’s Friday the 13th, the most cursed day for indie games. A lot of people are weird about hobbyist game devs and I would just like to say, you all rock and are making some of the best games. Please keep putting cool stuff on Itch.io and elsewhere, and making things with weird little game engines. Here’s some of those games and also some by people that somehow manage to do it full time. It’s going to be a long one since I didn’t do one last week so I’m splitting it into smaller categories. I’ll try to do another one of these posts soon because there’s a bunch I still plan to write about, but just don’t have the time today. If you enjoy these posts, maybe consider playing one of my games. Most of them are free.
Adventure
Choicebeat #16 is the latest issue of the free zine for adventure games, visual novels, and interactive fiction.
Apologies in advance for this one because I don’t actually know what it is but saw it recommended by folks and it has FMV so this is one where I’m just going to copy the description and you can decide if it’s interesting or not. kevin’s PLAYING in berlin (Steam/Itch.io) is an IGF Nuovo Award finalist consisting of three games. In Ke Vin, evin asked 200+ questions around the Berlin Wall in a language of the body without verbs. The audio was recorded in Kyiv. In What if Ginger is a Religion unlock a brand new language with a unique writing system. You’ve Received XX Messages in a Language Unknown Even to Its Speaker is an emotional ASMR game.
You Are Elon Musk (Twine) is a simulator created in Twine where you play as Elon Musk and see how much you can do for the world with his obscene amounts of wealth. It’s the sequel to You Are Jeff Bezos and even more depressing than that was, but also very funny. It’s got quite a few endings in it and I haven’t even found any secret endings yet.
Back in the Swamp (Steam) is a first-person point-and-click adventure set in a post-apocalyptic swamp. I haven’t played it yet but I like the art and it reminds me of 00’s-era adventure games, which I actually mean here as a compliment. It’s got a demo too.
Game Jams
Skellywave
The CGA Jam wrapped up on Itch, where folks made games for DOS using the CGA standard. While it was a set of colors people hated at the time, I think it can look really nice at times. There’s 9 brand new DOS games for you to play here.
The Trans Joy Jam (Itch.io) was about creating brighter futures for trans folks
Fake Game Magazine jam (Itch.io) is, as you would expect, a jam where people make free game magazines.
Platformer
Haunted Lands (Steam) is an EGA-era looking platformer inspired by the classic DOS game Dangerous Dave in the Haunted Mansion and the rest of that trilogy, which was created by some ID Software folks. I was a huge fan of that series and this looks to build on that with even more gore and more playable characters. If you want to get a feel for it, you can try some previous games/prototypes on the Itch page.
Moss Moss (Itch.io) is a nice non-violent metroidvania made in PICO-8 where your goal is to cover every surface in moss and discover secrets. I really liked the mechanic of covering everything in moss to unlock new areas. Playable in the browser.
Return to Dark Castle (Steam) is a rerelease of a game that came out on Mac only about 10-15 years ago, but now for Windows and Linux as well. It’s the sequel to a classic Macintosh game from the 80s, which I used to play the Amiga port of with my dad. I remember it being very hard and from the Steam description, that still seems to be the case.
Puzzle
Swappy (Itch.io) is a demo for a puzzle game made in PICO-8 where you must get each character to their goal and swap characters around to get through obstacles. It’s hard to explain but is easy to pick up if you try out the browser demo. I liked it and hope we get more levels.
RPG
Mowguelike (Itch.io) is a roguelike for browsers where the main mechanic is using your lawnmower to mow grass in every level, as well as using that lawnmower to fight enemies.
Hoop Dungeon (Steam) is a basketball turn-based tactical roguelike game and I think that is a really interesting premise. It’s just entered Early Access and there’s a demo available if you want to try it out. The same developer made Nikhil Murthy’s Syphilisation (Steam), a postcolonial 4X game, and I highly recommend that one to Civilization fans.
TTRPG
places to be is a free (Itch.io) systems neutral location creator zine using a 1d20 and 1d6.
Other Bits
A new indiepocalypse (Itch.io) is here, featuring a collection of experimental indie games. I can highly recommend the fmv typing game how to walk out the door.
Demos
SALANN (Steam/Itch.io) is a first-person rpg with a nice 1-bit aesthetic where you explore a decaying city.
Wishlist
I was told about Gonzalo the Chicken – Episode I (Steam), a low poly 3D platformer where you are a chicken and throw your explosive friend at enemies. You can watch the trailer for it here.
Super Robot Survivors (Steam) is a new Survivors-like by the creator of classic games like Halloween Harry and Flight of the Amazon Queen.
That’s it for this week! Hope you found something new to play. Feel free to mention your games to me in the comments/email/DMs if it doesn’t use AI. I also live for comments on what you’ve been playing lately. Have a nice weekend!
Recently a group launched an Adventure Game Aptitude Test as a one-day event where people logged on to play an adventure game while being on a webcam to make sure they don’t cheat. It turned out to be the game Maniac Mansion, which needed to be completed in four hours which…..ok. I think this was all meant to be a goof, which is perfectly fine and good and this post isn’t a dunk on that, it just got weird when a few games outlets and The Gamers started having takes on it past “haha, fun goof.” These takes seemed to be a combination of “wow, adventure games were so obtuse/difficult/unfair back in the 80s” and “wow, gamers can’t hack it anymore.” and neither of these is accurate.
These games were meant to be played over long stretches, with players thinking about puzzles when not playing them, and discussing solutions with friends and family. No one was beating Maniac Mansion in four hours back then. Maniac Mansion, at least in my opinion, is not even an unfair game. You still have to think about puzzle solutions and stuff for four hours straight. That’s exhausting. You’re still meant to step away for a bit to process it. These games were just not built for marathon sessions like that. As someone on Bluesky said, you can also complete a crossword puzzle in a couple minutes but you generally don’t.
I also think adventure games, even new ones, are generally more fun with played with friends over Discord, except when I want to be moody or depressed by myself when playing something like Norco or Kentucky Route Zero.
If I do have a criticism of the adventure game assessment, I do think it’s stripping the game from it’s context and putting it in one that it really isn’t meant to be played in and if you’re going to do something like that, you should probably give some setup unless you’re trying to make up a narrative for people to run with. Yeah, some of them have bad puzzles and I think softlocks are annoying, what else is new. My hot take about those is that I actually think a lot of the early Sierra/Infocom stuff holds up better than the late 80s/early 90s stuff because it’s so easy to whip through the game again and it’s much more straightforward about it being a treasure hunt for points or whatever (being extremely reductive here, I know it’s not that simple) where the later games are quite a bit longer and telling more elaborate (and better IMO) stories, but then you’re hit with these really frustrating interruptions where you may have to restart the game and it really hurts the storytelling. This is also why I’m a bit defensive of mid-90s Sierra, which I feel like adventure gamers generally dump on but I like. Oh well.
Anyway, all of this is to say, I will happily play weird French adventure games with friends over Discord.
I was really excited that Gobliins 6 recently came out on Steam and Itch and wrote way too many words about why I love it on the No Escape forums. So I’m doing the normal thing and expanding on that post even more. If you haven’t played the Gobliiins series, it’s a weird French point-and-click adventure game in a series that started in 1991. The rest of this post will be about why I think the series is interesting and some of the quirks but the TLDR is: it’s good! You don’t need to play previous entries.
Gobliiins screenshot from MobyGames
Anyway, it’s a series where you control a group of goblins that you switch between to solve puzzles. The entries vary on how many you play as at a time, and it’s technically an adventure game but they typically follow a level-based format where you have some specific goal and you solve puzzles to accomplish that goal before you move onto the next level. The original three games were created by Coktel Vision and designed by Pierre Gilhodes and Muriel Tramis. Muriel has a FASCINATING career. She’s known as the first Black woman video game designer and many of her games are focused on anti-colonialism or erotica. The Gobliiins series is not about either, but Pierre and Muriel did eventually do a game called The Bizarre Adventures of Woodruff and the Schnibble, which has all the goofy humor of the Gobliiins games but is anti-colonialist. It’s a weird game but I love it. Most people in the US who know of these games probably know about them because Sierra bought Coktel Vision and published their games here. They even renamed the third game to Goblins Quest 3, to make it sound more like King’s Quest/Police Quest/Space Quest, which is so goofy to me since it’s this bonkers French game but there you go.
Gobliins 2 screenshot from MobyGames
Eventually Coktel Vision was closed and Pierre and Muriel split off to do their own things. I don’t think they ever had a falling out because they mention each other a bit in interviews and he did art for her book. I think they were just tired of games. Then in 2009 Pierre got the rights to the IP and made Gobliiins 4, which is…..ehhh. The 3D art is not amazing and it takes a long time to really get going, but it’s there I guess. My understanding is that the game improves quite a bit in the second half of the game. You cannot buy this one anywhere today and it’s abandonware. Muriel got a special thanks in this and I think consulted a little but wasn’t really involved.
Goblins 3 screenshot from MobyGames
And then in 2023 he did a Kickstarter campaign to fund Gobliiins 5, which was made in Adventure Game Studio and has 2D art again. It’s great. It’s a return to form for the series and even with the janky setup (it’s split into four launchers because it was a solo project by an older guy learning a new game engine), it was a treat for fans. You can now get this on Steam and Itch.io. This repeated again two years later with another crowdfunding campaign for 6, which just came out this week. It was nice to see Muriel Tramis come back for this one to help with puzzle design and I hope this means she is back to making games again.
Gobliiins 4 screenshot from MyAbandonware
So what are the quirks with the series? Well, every entry in the series has a different number of i’s in the title based on the number of goblins you rotate between. So Gobliiins 1 has you switching between 3 characters, Gobliins 2 has two goblins, and Goblins 3 just has the one but you occasionally have other characters you play as anyway. Gobliiins 4 and 5 are sequels to the first game and have you playing as the three characters from the first game again and Gobliins 6 is a direct sequel to 2, where you play as the two characters from that one. Despite all this weird lore stuff, it doesn’t really matter. It’s just people walking around doing puzzles and goofy slapstick stuff happens.
Gobliiins 5 screenshot from Steam
If I were to recommend a game in the series to folks, I’d probably say to start with 3 or 5, depending on if you want something old school or not. It’s very hard to recommend 1 because it’s the only one with health meters where you lose health every time your characters get hit, which is when all the funny stuff happens, and uses a password system. The health system gets dropped with the second game and from here on, the goblins can get beat up as much as you want. The puzzle design gets better with each entry too, which 3 having much better puzzles than 2. The other weird quirk with the old ones is that people generally prefer the floppy disk versions over the cd-rom ones, because the music changed and people don’t care for it as much (I think it’s fine either way). You can pick up the original trilogy on GOG, which features both the floppy disk and cd-rom versions of the games.
Gobliins 6
Anyway, this is way too many words about a weird series of French games but I like my weird French DOS games so there you go.
Since I’m doing a post in place of a log every time I complete a game, this means I’ve finally come across Myst after replaying it with a friend. I could have sworn I’ve done something more “reviewish” since I basically mention Myst in every other blog post I do, but I guess not? Maybe this site started after I played the remake. So this is going to be less of a formal Review and even more rambly than I usually do since everyone knows I love Myst and will recommend it to everyone anyway. The remake is great, go play it and immediately go into the options to turn on the FMV because it beats the 3D models. The rest of this isn’t spoilery but won’t make sense to anyone that hasn’t played it.
I just replayed the game with a friend over Discord, they had never played Myst before, and this gave me an opportunity to finally play the Rime age that was added last year. The Rime age was originally added to realMyst and appeared in realMyst Masterpiece Edition as well, but did not ship with this Myst remake. Previously it was a very tiny age that you get after you complete the game, something that’s just a nice little treat and you can play through in 15-20 minutes. It’s been heavily reworked and expanded to add more backstory and build on the relationships between characters in the game. Something that’s fun about it is how much closer it is to the style of puzzle design you see in Riven, where everything feels like it’s part of a real world. As much as I love Myst, sometimes the puzzles and even some Ages feel more like puzzles or places just built because they look cool and a fun place to walk around in. By the time they got to Riven they had started to think a lot more about what a fictional world with its own rules would be like to walk around in. The new Rime age was a delight to explore and with development of new games slowing down at Cyan because of financial issues and the industry as a whole collapsing, I treasure every new bit of world design we get from Cyan.
It was also fun to see that my friend enjoyed it in our playthrough. I think. Or they were just being very polite. I think the design of the game largely holds up. The only Age that I kinda lose interest in is Selenic, where the maze goes on quite a bit longer past the point of “ok, I get it.” I think the Mechanical Age is what I have in mind when I think about the worlds that are built around looking neat rather than a real place that people could live in like later Myst games. Playing this over Discord really does highlight how much the adventure game genre is meant to be played with friends. Even when neither person knows what to do next, it helps to have someone to bounce ideas off of or just to have someone to talk to while dealing with the tedium of trying various bits. Most of the time when I played adventure games with this friend, it’s usually pretty awful FMV heavy adventures during the holiday season, so it was nice to play something that I consider to be good. It’s also one of the very few genres that can be played over Discord, where one person controls everything and the other player can sit and talk and take notes if they want.
At this point, this is the version of the game that I would recommend to others. I think the optional subtitles go a long way to helping with the sound puzzles that a lot of people struggle with, especially if you’re a bit tone deaf like I am. It also still feels very snappy, which isn’t lost from the move away from nodes in a Hypercard game. I think you kinda need to turn on the FMV, an option in the menu, because the default 3D models aren’t great and the FMV acting is charming to me. Even though this post is more of a ramble of thoughts and not really a review, I do think the soundtrack also deserves a shoutout. It’s wild that they were hesitant about adding a soundtrack until the publisher pressured them, and immediately realized it added so much to the game.
Finally, I should probably add that Cyan allowed the Video Game History Foundation to scan and archive everything they had and that’s all available here. It’s an incredible collection of Behind the Scenes materials and it’s wild how much they preserved, even company picnics!
Anyway, Myst is great and Cyan is my favorite developer.
Myst is available on Steam/GOG/basically every other platform for Windows and Mac.
Developer: Humongous Entertainment Publisher: Humongous Entertainment Year: 1997 Genre: Adventure System: Windows
Something that’s been a lot of fun as my kids continue to grow has been revisiting games from my childhood. The most recent one has been Spy Fox in “Dry Cereal,” a point-and-click adventure by Humongous Entertainment. In the first Spy Fox game you play as a spy (who happens to be a fox, as it says on the tin) that rescue the world’s cows and stop William the Kid (a goat) from stealing the world’s supply of milk. Like everything else by Humongous Entertainment, this was a delight to revisit with my kids.
The game features the great art and animation you would expect from the studio. Everything still looks great today and the only real bummer about the current state of HE releases is that I do think they would look better at an even higher resolution. But at the same time I feel like that risks being twisted into something awful and we get an AI upscaling everything, so I’ll happily settle for how they look from the 90’s.
It’s also been fun seeing how carefully HE rolled out adventure games for children of all ages. Putt-Putt, Freddi Fish, and Fatty Bear were created for very young kids, 3-8 year olds, Pajama Sam is advertised for that age group too but I would argue is for an age range that is one year old, and Spy Fox is for 5-10 year olds. It’s just a tad bit more difficult than the rest of their adventures but roughly follows the same format and there being a core goal you complete through adventure game solving, one or two mini games you can play on the side, and possibly a real time sequence. I personally think the timed reaction sequences aren’t great and would remove them, but I think the rest of the game works.
The puzzles are trickier than what you would see in Putt-Putt and makes the game take longer to complete, but I don’t think it’s anything impossible for older kids. I think the only bit during the puzzle solving that doesn’t work for me is that Spy Fox has a limited inventory space for gadgets and to try other gadgets, you need to return to your HQ to swap out what you have for other gadgets. It’s a slog. I get why this approach was taken, the alternative is to just get everything and the HQ becomes a lot less interesting after that, but I maybe would have had other reasons to return to HQ and just let them have it all. Other than that though, I think the puzzles are interesting and it’s kinda fun that they start to introduce the idea of note taking to kids in this game.
Anyway, it’s a good game. I don’t know if I would recommend it to grownups to play by yourself but my kids loved it and I had fun playing it with them.
Spy Fox in “Dry Cereal” is available on Steam, Switch, PS4, and mobile platforms but ScummVM support means you can play it on basically everything.
lil’ Henry and Penny’s Big Adventure Pack is a collection of three short point-and-click adventure games where you play as two children named Henry and Penny. I saw someone sharing a post about this one and it looked really cute since the games were developed with, or at least voiced by, the designer’s kids. The games themselves are traditional adventure games, they use a modified version of the Scumm verb bar that only has four verbs, and you doing your typical adventure game stuff where you pick up items and use them elsewhere. The game has a nice option to make them more playable for young kids by having the player character read the verb when you click on it.
Where the games really stood out for me was in how charming the voice acting and art was. The kids were a lot of fun to listen to and my kids (6 and 8 years old) loved playing too since they thought Henry and Penny were funny. The games outside of the voice acting are good of course, but it was their voice acting that made my kids excited about the games and willing to try out the verbs on everything to see what they would say. The cartoon art is cute too and reminded me a bit of early AGS games, which I mean as a compliment.
Each game increases in difficulty and length but overall the entire collection will take about an hour to play through. The first one is the shortest and just has you playing as the boy Henry, but the two after that have you switching between the two kids to solve puzzles, which I guess means it’s a Gobliins-like? I can’t speak for how much this collection may appeal to people without kids but I found them to be a great collection to play with mine. I’m currently working on a Playdate game with my kids and it’s fun seeing other parents including their kids in game dev and making silly stuff together.
lil’ Henry and Penny’s Big Adventure Pack is available on Steam.
Many Nights a Whisper is a short (about 60 minutes) third-person archery game where you play as the Dreamer, an archer who must make an incredibly long shot into a massive chalice to grant the wishes made by people in your community. During the day you can make practice shots into closer chalices to get better at archery and at night you listen to the anonymous wishes from people and choose to accept them or not. You repeat this cycle for a few days as your mentor makes your bow stronger, until it’s the big day where you have one chance to make your big shot.
I finally picked this one up because I had seen it on a few End-of-Year lists and I’m glad I did. I can’t really say anything more insightful than what a much better writer at an outlet like Rock, Paper, Shotgun can but it’s a lovely game. The game does a very nice job of mixing lighthearted wishes with heavier ones, and never feels like it’s punishing or judging you for the wishes you choose to keep or leave. In some ways it kind of reminds me of a solo tabletop rpg where it will prompt you for your thoughts and make you think about your choices, but never gives you a definitive “you have chosen wisely” statement. I was surprised that the game has a final shot that you only have one attempt at and need to replay the game to try again. Obviously I made it because I am a Real Gamer (I hope my sarcasm is clear here) but even if you do, to continue the solo ttrpg comparison, the game does not do an extended epilogue telling you about the wishes you accepted and what happens. It leaves this all to you to think about and I think that’s part of why this game works so well for me.
I appreciate that all the actions seem to have some heft to them too. Cutting a braid to accept a wish requires you to hold down a button for a second or two before letting go to cut it. When you’re practicing to shoot arrows, the longer shots take a few seconds to fully pull back on the bow and let go, with you watching the arrow fly through the air for a while to see if it hits its target. It all helps make that final shot a lot more tense, when you need to pull back on the bow all the way and make sure everything is all lined up before letting go.
It’s easy for me to recommend Many Nights a Whisper. It’s a very short adventure game/interactive fiction that can be experienced in under an hour, longer if you want to replay it, and very affordable at $3.
Many Nights a Whisper is available on Steam and Itch.io
Developer: katbrush Publisher: katbrush Year: 2025 Genre: Adventure System: Windows
Landlord Quest is a short point-and-click adventure game where you play as a landlord who must do a task for one of your tenants but as expected in a comedy adventure game, this goes off the rails very quickly. It features multiple endings, with an extended ending if you do all the goals and max out your Landlord Score, but all of them are “good” unless you like landlords for some reason. It’s always a little goofy to try to write a longer review for any game that’s 30-45 minutes long but I wanted to write some kind of log since I thought it was a fun adventure game and always appreciate when a point-and-click adventure takes an anti-capitalist stance. It’s definitely not a pro-landlord game.
It features all the stuff you would want in a comedy adventure like good jokes, puzzles that are fair, and a mini game as well. The only criticism I have is that some of the inventory items are used in an odd way for the 9-verb scumm interface, with you generally clicking on the item itself and then the object you want to use it on and not clicking the Use verb first, but once you figure it out then it’s not a big deal.
The art is very nice too. The verb panel has the aesthetic of early Windows and I was really impressed with the animation, especially for a solo dev project. It’s good stuff! Sometimes it’s nice to just play through a short adventure game in one sitting and watch a landlord eat shit. It’s only $2 too! Other than the content warning of a possible violent suicide depiction not being for some folks, I feel very comfortable recommending it to adventure game fans who want a short comedy adventure. It’s available on Steam but if you buy it on Itch.io then you get the files to run it in ScummVM, making it playable on basically every platform.
The almost daily indie game roundups continue as I attempt to cover all the games I think are neat. People keep insisting on making games though so the list keeps growing! If you enjoy today’s post, consider buying Geeky Jay a coffee to help cover some bills they recently got.
Today’s Games
TRIPtych (Itch.io) is a short walking sim where you explore various places at night during a road trip and I thought it had nice vibes. I think this game was made for a class? I’m currently making a game for a group project in a class too so I feel compelled to put this one at the top today because it’s a weird way to make games.
Julia Minamata, creator of the wonderful adventure game The Crimson Diamond, just released a fan game for Over the Garden Wall (Itch.io) that reunites creator Patrick McHale, background artist Levon Jihanian, musicians The Blasting Company, and Elijah Wood is back as Wirt. Can something be considered a fan game if the original creator is involved? Anyway, it’s a great, short game.
Hypogea (Steam) is a 3D platformer where you are a robot that must escape from a giant underground structure. The game itself reminds me a lot of something you would see in the early 00s. Not just the graphics, but just the general feeling of it being something you would see on a CompUSA shelf during that time, which I 100% mean as a compliment. The game itself is a platformer but I really think a lot of adventure gamers would enjoy it too because of the puzzle solving and storytelling being done without words. There’s a demo if you want to give it a try.
Go Kart Island (Steam) is an open world kart racer where you can explore an island and do different types of racing events. The character design in this kinda reminds me of the characters in the old shareware game Wacky Wheels. A demo is available too.
Farewell (Itch.io) is a challenging free platformer where you must dig down through an abandoned mine to cure a plague. You have a limited time because of your torch and must buy powerups or find pickups to extend the life of your torch to get to the end.
Puzzle Depot (Steam/Itch.io) is a sokoban-like set in a post-apocalyptic world and features lots of nice pixel art. The game has a demo if you want to try it out.
Crowdfunding
A few folks are currently doing crowdfunding for their tabletop rpgs. Heart of Glass is a mini-campaign for the synthwave inspired ttrpg Street Wolves. Apocalypse World: Burned Over is the 3rd edition of the incredibly influential post-apocalyptic ttrpg. Both have already hit their goals too and will be happening.
That’s it for today’s post. Always feel free to let me know through here or email if you’re working on a game and it doesn’t use AI. Also consider adding this blog to your RSS feed reader
