Developer: Id Software Publisher: Id Software Year: 1994 Genre: First Person Shooter
Finished my replay of Doom 2 last night and yeah, it certainly is more Doom so I enjoyed it. This time it was done with the recentish Doom 1 +2 rerelease that Bethesda did, which I got for free since I already owned it on Steam. Like my Doom 1 review, every single opinion on Doom 2 has already been posted before but this is my blog so I’m doing a random collection of thoughts anyway dang it.
Before my replay I thought Doom was the better game but as I played through the game again I went through the arc of thinking Doom 2 was actually better, and then back to thinking Doom 1 is superior. Doom 2 isn’t without its improvements though. It’s been said a billion times before but the double barrel shotgun is great. I like the new enemies too. While the archvile can be frustrating, I think it’s mechanically interesting.
I think what makes Doom 1 the better game is the level design. Doom 2 starts off very strong with the level design but becomes a little bit of a slog in the second half when the levels attempt to be more realistic city designs. It was much more impressive at the time and makes sense in the context of the game, but don’t hold up as well as the more surreal levels found in other parts of the game. I also noticed that just like in Quake, I think Sandy’s maps are a very mixed bag. I just don’t enjoy his style of map design. They’re usually filled with poorly made puzzles where you stumble around until you figure out the right wall to push on, and occasionally decide that you must open a door by shooting it instead of pressing the open door. It just ruins the pacing of the level and the game has a heavy amount of these in the second half, which is probably why it feels like a slog to me.
I think the bosses in Doom 1 are also better. They come up in here as well but I think that while the Icon of Sin is a fun gimmick, I ended up finding it mostly just an annoying fight.
My (possibly hot) take is that ID Software actually started to decline after Tom Hall had left the company, not Romero. I still love Doom 2 and Quake, I may even like Quake more after my recent playthroughs of both, but the company starts to play it a bit safer and less playful. I think this theory still holds up! While I don’t care for Rise of the Triad as much as Quake and Doom 2, it’s goofy as hell and throwing in lots of new things and seeing what sticks. Doom 2 really only does this with the secret Wolfenstein 3D levels and those end on a sour, mean spirited note by having you shoot at Commander Keen. As a side note, there’s some weird censorship in the Doom 2 rereleases during the Wolfenstein 3D secret levels and I don’t know why.
Anyway, yeah, Doom 2. It’s still good but I like the first game more.
Doom 2 is available on Steam, GOG, and basically everywhere else.
Developer: ID Software Publisher: GT Interactive Year: 1996 Genre: FPS
Much like with my attempt to review Doom, there’s nothing about this game that hasn’t been said a billion times! There’s multiple books about the making of the game so this review is more of a grab bag of thoughts about it that I had as I played through the game. My absolutely lukewarm take on the game is that it holds up. It’s still a lot of fun to play and the controls feel great.
The game occasionally gets some criticism for the weird mix of aesthetics it has, with it combining Lovecraft, medieval, and futuristic stuff all together and it not completely meshing. I get it, it’s a mess since the game went through development hell, but I dig it. There isn’t really another game doing this mix, even the ones strongly inspired by it, so it still stands out even if it’s a bit sloppy. Maybe it being messy is part of the charm too.
The plot is meaningless junk, even more so than Doom. This is what happens when you push Tom Hall out of your company! I think this is one of the reasons why they haven’t really revisited this specific Quake game with sequels or reboots. There’s just nothing to really grab onto.
I used to really dislike the boss in the first episode, I think everyone was pretty critical of it at the time, but I’m into it now. Doom’s bosses aren’t actually that interesting mechanically so I think it’s fun that this one is kind of a puzzle. I’m guessing the disappointment is that it’s this massive guy but you don’t even shoot at him, which is understandable, but if that was the case I think the boss battle would have just been circle strafing around the boss and shooting it, much like the cyberdemon.
The secret level in the first episode has the really fun novelty of it being low gravity. There’s no other level in the game like this so it’s a really fun gimmick for a one off and feels like a nice reward for finding the secret level. Which makes it odd that none of the other secret levels have any gimmicks. They’re fine, but they’re just more levels.
I think it’s odd that Episodes 2 and 3 do not have bosses. I really wish they did. The end of ep 3 is especially a big “huh, that’s the end? Well ok.” At least the end of Episode 2 introduces a new enemy type, the Vore.
Speaking of which, the enemy types introduced towards the mid point and end aren’t as fun! The projectiles for the Vore are too accurate so it feels like you have to slowly work your way through them, which hurts the pacing. The leaping blobs are the absolute worst. They’re no fun at all to fight and they may actually be the most difficult enemy in the game since they’re the hardest to hit. The first episode of Quake is the strongest partially because it doesn’t have either of these.
The other reason I prefer earlier Quake levels is because of the designers. Sandy Petersen’s levels in latter of the game are a mixed bag for me. They either work really well or they’re too big and ruin the pacing. All lean into the Lovecraft theme very well though, which I suppose makes sense because he was the Call of Cthulhu guy. I get why they relied on him to make the last episode of levels.
I know everyone hates the last boss. I used to as well but now I don’t mind it! To me the final boss is getting through all of those enemies and then actually killing the big boss is just doing the final blow to end the game. It works for me!
I played this through the Nightdive remaster from a few years ago, which includes the two official expansions from the 90s and the two newer episodes from MachineGames. It’s fantastic and IMO much, much better than the more recent Doom rerelease, which I thought was poor and can go into in a later post. The two official expansions from the 90s are a mixed bag for me but the newer episodes have some incredible level design. Whenever new levels are made for an old FPS, they often make the levels too big and have you hoarding ammo to make it more difficult, but all it does is kill the pacing of the game. Not a problem in these! I loved them and would recommend them to any Quake fan. The first MachineGames expansion is available for free so even if you don’t have this remaster, you can still play them.
There, those are my thoughts on a game that’s nearly 30 years old. The first time I played this game was on Thanksgiving at my cousin’s house, so much like how people have Christmas and Halloween games, this is a Thanksgiving game to me.
Quake is available on Steam, GOG, and a billion other platforms.
Developer: Id Software Publisher: Id Software Year: 1993 Genre: First Person Shooter
I’ve done another playthrough of the classic Doom as my comfort game for dealing with everything going on lately and what can I say, the game still slaps. There’s nothing really unique I can say about this game that hasn’t been said before. It’s all been said before a billion times because it’s the most heavily discussed FPS on the planet and people are still making levels and mods for it.
I played the Ultimate version through Bethesda’s rerelease so I guess my only real criticisms are as follows:
That 4th episode that was added in Ultimate Doom? Meh, it’s an episode I guess. I don’t find it particularly interesting and my preference in Doom levels has always been shorter ones, which this starts to pull away from. It doesn’t add anything new so it’s just there. More Doom levels are fine, it’s just not that interesting beyond that.
The more time I spend with the recent Bethesda rerelease, the less I like it. I keep running into bugs where it crashes and that mod browser has so many issues since anyone can upload a mod, screw up the crediting, and it may not even work! Who knows how much moderation is even happening. It just feels like a way for Bethesda/Microsoft to try to build walls around a community when Doom just should be free since it’s 30+ years old anyway and no one who worked on the game is still at ID Software.
There, those are my Doom hot takes. Still a great game though and holds up very well.
Doom is available on Steam, GOG, and basically everywhere else.
Developer: Raven Software Publisher: Id Software Year: 1994 Genre: First Person Shooter
Raven Software is a game developer located in Middleton, Wisconsin that was founded in 1990. Their first game, Black Crypt (1992), was a dungeon crawler for the Amiga. While it wasn’t a massive commercial hit, the game was critically well received and got the attention of ID Software. John Romero approached Raven and proposed using ID Software’s technology to make games for the PC. Raven licensed a heavily modified version of the Wolfenstein 3D engine to make ShadowCaster, a fantasy action game that ditches some of the RPG elements of their previous game to focus more on action. The game was a success and Raven Software completed their transition to action games by licensing ID Software’s new Doom engine and creating the FPS Heretic, released in 1994.
Screenshot taken from Steam page
Heretic is set in a world conquered by three brothers known as the Serpent Riders. While most of the beings in the land fall under their control, the Sidhe elves resist and become known as heretics. You play as one of these elves, who is revealed to be named Corvus in Heretic 2, and fight the Serpent Rider known as D’Sparil. The format of the game is very much like Doom’s. You have three episodes (five in the retail version) and make your way through levels, grabbing keys to unlock doors, and shooting all enemies you come across.
While it may have a lot in common with Doom, to the extent that some people will say that it’s basically a medieval reskin, it’s not without its innovations and improvements. Doom has a few enemies that rely on hitscan detection, where they fire a gun and then the game does a check to see if you are hit or not. I’m not going to go into if this is bad game design in this style of FPS or not. Generally, I’m not a fan but that’s just my personal preference and there’s plenty of people who have no issue with it. I find it interesting that this doesn’t exist at all in Heretic and the player is able to dodge all projectile shots. I suppose it makes sense, there’s no reason why someone would have a gun in this world, but the player still has two hitscan weapons that carried over from the conversion from Doom, the pistol-like Elven Wand and chaingun-like Dragon Claw. I think it’s fun that some of the weapons are wonderfully illustrated and some clearly are a developer’s hands holding something and have been digitized.
The addition of items adds some depth to the gameplay and a small rpg element to the game. Throughout the levels are pickups like potions that restore health and other bits that will give you powers like temporary flight and invisibility. The most interesting of these is the Tome of Power. This item will temporarily change all your weapons to a different effect, essentially creating a second set of weapons for you to use. Some are more useful than others, but it’s fascinating how much work Raven put into one powerup.
The game also features some innovation in its level design. The variety of environmental hazards and elements like wind and current in the water are a very nice touch and it feels like the developers are building upon what they saw in the level design for Doom and trying to do more complex designs. I would maybe argue that I prefer the simpler level design of Doom, but I think at the time it was probably impressive how much the level designers were trying to build levels that look like real places that people could live in.
The original three episodes in the shareware release of the game are all solid. I feel like in shareware games the first free episode is often the best one. The theory is that they front load the game with some of the best material so you’ll go out and buy it. I don’t think that’s the case here. Both episodes 2 and 3 have better level design and boss fights. There were one or two levels with poor switch placement in Episode 1 that absolutely ruined the pacing for me.
My only major complaint about Episode 2 is that they fill levels with an enemy called the Sabreclaw. It’s incredibly dull and brown and it doesn’t help that it is frequently used in levels with brown walls. All it does is slowly walk up to you and try to do a melee attack and only serves to be a bullet sponge. It is funny that I came across a mod that makes it a more golden color, looks much better, and helps it not blend in with all the brown walls. By the end of the episode they pull back a bit on this enemy as others are introduced, and 3 overall feels more balanced.
The bonus episodes that came with the rerelease of the game, episodes 4 and 5, are competent enough but aren’t interesting. They don’t add anything new and episode 4 has a slow start. Episodes 4 and even 3 to some extent, have you heavily managing your ammo in their first two levels while avoiding batches of enemies since you will not have enough ammo to kill them all. It is a fun novelty for one level but becomes a slog after that when you are repeatedly reloading your game to minimize the amount of ammo you use and damage you take so you can get through the encounters after that. It eventually lets up though and after getting enough weapons over two levels, the game goes back to being fun.
Episode 5 on the other hand feels like it has convoluted level design just for the sake of padding the runtime. It felt like every level had you hitting a switch, searching the rest of the level to see what it opened, and repeating the process. It is incredibly tedious to play and the entire episode does it. It doesn’t help that the game also decides that sometimes you’ll now need to shoot doors to open them. It doesn’t happen very often, just enough that you’ll forget that’s now a mechanic in the game and waste a lot of time trying to figure out if there’s a switch that will open them. Neither of these episodes adds anything new, so you’re just seeing repeats of enemies you already fought many times in Episodes 1-3.
Weirdly enough, there’s also a partially complete Episode 6 hidden in the game. It’s just a few levels, with the last one being unfinished, so it’s not terribly interesting. I just find it fascinating that it was left in. It’s not something I can complain about, you must enter codes to access the levels, but it’s interesting that it exists.
If there’s a hot take in this review, I think that it’s that Raven Software was just not that good at level design compared to some of their peers. A lot of people give Hexen 1 and 2 grief for clunky design (the case for why both of these games are good is coming at a later date) but I wasn’t impressed by a lot of the design in the later episodes of Heretic and Jedi Knight 2 is also a game that’s infamous for having a dull single player campaign up until you get the lightsaber before that game improves.
It’s hard to be too critical of these episodes because I see them as bonus levels anyway and the game’s story has already concluded by the time you get to these. If you want more Heretic, here you go, but if not then it’s fine to just stop after the first 3 episodes. If you would like to read more about the game’s level design process, I found this interview with the level designer to be interesting.
Overall, I’d highly recommend this game to anyone who enjoys faster paced FPS. I have my gripes about the pacing in some parts of the game, but I think it holds up very well. As a long time Raven Software fan, it’s fun seeing their evolution from being a roleplaying game developer with Black Crypt on the Amiga, to transitioning to the FPS/RPG hybrid Shadowcaster, and then to FPS that contain some RPG elements like Heretic and Hexen. It’s a little less fun seeing them being absorbed into the Call of Duty machine and only working on entries in that series now.
The update is exciting to me because it contains so much stuff that hasn’t been available for the long time. In addition to nice fixes like real widescreen support, looking better at higher resolutions, and a variety of bug fixes, Half-Life now contains content from the Half-Life: Further Data and Half-Life Uplink CDs that came out at the game’s launch to promote it through video cards, magazines, and retail stores.
Half-Life Uplink was a CD released through magazines and hardware manufacturers that contains a demo for the game with all new levels. Half-Life: Further Data was released through retail stores and contains new multiplayer maps and skins, including a fan favorite skin I used to play as, Too Much Coffee Man.
There’s so other nice updates too. The game now includes the original models for Gordon and Barney from the Half-Life alpha as multiplayer skins, 4 new multiplayer maps by Valve developers, Steam Deck and controller support, and the original Valve logo video and menu from the 1998 release. Just a very nice update for a classic game that I’ve put so many hours into.
I figured that during blaugust I could start dumping my memories of weird games forum drama as well so I could be free of this knowledge and have it preserved somewhere as well. Today I will talk about the great Serious Sam/Duke Nukem feud of the early 00s. In the early 00’s I was (and I still am) a huge fan of the Serious Sam series and even spent a ton of time on the forums for Seriously!, the biggest Serious Sam fan site in the world, where the dev team for the series would also often post. This is where I became aware of the feud, which I think was mostly playful but I’m not 100% sure, between the developers of Serious Sam and George Broussard, one of the creators of the Duke Nukem series and many other games before and after.
It all started in 2000, when Croteam was working on Serious Sam and just released a vertical slice to get a publisher interested in their game. It was getting a lot of positive praise because it was released at a time when the dominant FPS style at the time was the Rainbow Six style of game. That is, except for a comment by George
To be clear, even though I disagree with it, this post is fine. It’s just a post on (I think?) the 3D Realms forums and I suspect that there was a thread about the demo and people were just discussing it. People are allowed to state their opinions online about video games. It still ended up coming to the attention of the Serious Sam devs, possibly during their interview with Old Man Murray, and rubbed them the wrong way, which is also understandable. Croteam ended up getting a publisher and releasing Serious Sam: The First Encounter, which was a big hit and Croteam started getting a following and developing a sequel. From what I recall, it ended up being discussed on the Seriously! forums in a thread and there were probably jokes about Duke Nukem Forever taking so long. I’m sure it’s been preserved on the Internet Archive but I’m not going to dig it up because I already found something tangential to it and it was a big oof.
As mentioned in the Old Man Murray interview, this is actually why Serious Sam: The First Encounter has a sewer level. It’s probably my least favorite level in the game but now you know why it exists.
Over the years, the Serious Sam series has made a bunch of references poking fun at the Duke Nukem franchise. The first actual reference to Duke Nukem appears in Serious Sam: The Second Encounter. There’s a secret phone booth you can access where Sam calls someone asking for a man named Blondie and saying he’s been waiting forever for him to show up. There’s also a very brief reference to Duke in Serious Sam for the X-Box, which is a combined release of the First and Second Encounters.
Things get a little weirder in Serious Sam 2. There’s a reference to Blondie again in a cutscene and you can find a skeleton of someone named Duke with another Duke Nukem Forever joke thrown in. There’s also a minor character named George B. Gnaar, who is named after George.
After this point Croteam moved on and it was basically forgotten. As far as I know, the only time anyone associated with Duke Nukem poked back was with the Duke Nukem 3D: 20th Anniversary World Tour where there is a secret in one of the new levels. Similar to the secret with the Doom marine in the original Duke 3D, you can find Serious Sam’s corpse and Duke will say “Why so serious….Sam?” I think this new episode was developed by Gearbox or a team outside of 3D Realms, which had been closed at this time before the name and IPs were acquired by folks that had nothing to do with the original studio.
The final reference I’ve seen was in Serious Sam: Siberian Mayhem, a standalone DLC released in 2022, which features a magazine referencing Blondie. I believe this was mostly by an external team but clearly fans of the game remember that original beef between the two studios.
Well, there you have it. There was a beef between two game studios that you now know about and I can dump this info from my brain.
Here are some new games I’ve been playing this last week
System Shock Remake
They actually pulled it off! I’m sure the development of this was a nightmare. They spent about 8 years working on it, had to restart development at one point because it wasn’t turning out the way they wanted it too, and other things popped up, but it’s great! The remake updates just enough so the game is much more approachable than the original, while still feeling like a faithful remake and an immersive sim with more fiddly bits than we’ve seen from other recent immersive sims. The art is so good too. If I recall, it’s similar to what they had for the demo they were making in Unity, then they switched to Unreal and went for a more realistic look, but then realized it wasn’t working at all and went back to the old art style but in Unreal. Go check it out, it’s really good.
Slayers X: Terminal Aftermath: Vengance of the Slayer
Slayers X is a spinoff of Hypnospace Outlaw where you are playing a “lost” FPS from the 90s created by a character from that game who recently found his missing code and is releasing the game today. I think what really impressed me with this game is how much more faithful it is to the 90s style of FPS and Build engine era of games than everything else in the recent retro FPS trend. For better or worse this also includes the bits likes levels being weirdly designed and disorienting, but I think this is part of the charm of that style of FPS so I’m glad it’s been kept in. It also happens to be very funny, as you would expect for a Hypnospace Outlaw related game.
Queer Games Bundle 2023
I already wrote about this last week but just wanted to bring it up again. There’s a lot of great games in here and it’s only $60, which is the price of a AAA game. There’s also a version of the bundle that’s $10 if you can’t afford that at the moment.
Indiepocalypse 41
There’s a new one of these. It’s good! If you never checked out an issue of Indiepocalypse, consider picking one up. They are all good starting points and each has some great games in them. It’s just a fantastic place for curation and discovering new games and game devs.
This is a spoiler-free guide for people who wish to check out the Marathon trilogy, a series of FPS developed and published by Bungie in the mid-90s. Since we are apparently getting a new PVP-focused Marathon, I thought I would write up this intro for people who want to check out the original trilogy and see why it has so many fans even decades later. The Marathon trilogy is a sci-fi FPS series that starts with you playing a security officer trying to repel an alien invasion of your colony ship. The three games, Marathon, Marathon: Durandal, and Marathon: Infinity, were released in 1994, 1995, and 1996 respectively. With the exception of Durandal, the Marathon games were exclusive to the Macintosh. Due to it being technically superior to the Doom engine and the Macintosh being known as a platform with less games, this was seen as a big win for users of the platform and partially why it has a devoted fan base to this day.
Why Should I Play It?
If you’re a fan of Bungie or older FPS, I would strongly recommend this game. The comic book-like artwork for all the characters is very charming, the gameplay mostly holds up, and Bungie fans will enjoy the story told in these games, which was a novel feature for FPS during this time.
How Do I Get Started?
Luckily it’s very easy to get these games for free. In 2005, Bungie said it was ok to freely distribute these games and the open source engine Aleph One makes these games playable on Windows, Mac, and Linux. You can download all three games here and it’s very easy to install the games and get them running.
Tips for Playing Marathon
There’s a couple things to keep in mind while playing the game that will help you from getting frustrated since it is an older FPS and doesn’t follow all the FPS conventions that we know today. First, please look at the keyboard mapping in options before playing. Some of the key mappings are a little odd and you might want to change them. Using terminals, doors, and switches is essential to completing the game and understanding the plot, and by default it’s at the Tab key. The game also relies on Save Terminals for saving your game, so you are unable to save at anytime through options. Terminals are also used for other things like advancing the plot and restoring health. At the bottom of your screen are two bars, a red health bar and a blue oxygen bar. At parts of the game you have to travel through areas with no oxygen and you will have to quickly move through them as your bar depletes. Hopefully knowing these quirks ahead of time makes it easier to get into, because it’s a fascinating trilogy and I think Bungie fans who like retro games will enjoy it.
This is a spoiler-free guide for people who wish to check out the series Blake Stone, two first person shooter games developed for DOS by JAM Productions and published by Apogee. This is not a walkthrough and is just meant as an intro to the series to help people get started playing the games. The two games are sci-fi first person shooters made with the Wolfenstein 3-D engine where you play as a British spy named Blake Stone and must stop the evil Dr. Goldfire. The first game, Blake Stone: Aliens of Gold, was released one week before Doom in December, 1993. The second game, Blake Stone: Planet Strike, was released a year later in 1994. Planet Strike is a sequel similar to how Spear of Destiny is a sequel to Wolfestein 3-D, where there are not any major overhauls but it changes the graphics for the enemies and makes a variety of little changes. The first game had strong sales until the technically superior Doom came out and Planet Strike struggled to sell with it still using the dated Wolfenstein 3-D engine. The development studio shut down fairly soon after the release of Planet Strike.
Why Should I Play It?
Even though it was quickly overshadowed by the superior game Doom, I think there’s still a lot to appreciate about this series. It has a lot of features that weren’t in either Wolfestein 3-D or Doom such as vending machines, friendly NPCs you can interact with, a silent weapon for not alerting other guards, being able to travel back to previous levels, and it did some things before Doom like an auto map and textured floors and ceilings. If you’re a fan of retro FPS, you will probably enjoy playing this series.
How Do I Get Started?
It’s easy to get the games running on modern computers. If you don’t have the series, you can buy them on GOG or Steam. While they run well in DOSBox, I recommend the BStone Source Port. This adds a some nice features like customizable key bindings and improves the graphics a small amount. Just download the latest release here
Tips for Playing Blake Stone
There’s a couple things to keep in mind while playing the games that will help you avoid some headaches people can run into with this series, and to fully appreciate them.
Search for Secret Walls If you’re unfamiliar with early 90s FPS, one important thing to know is that they frequently had secret rooms filled with health and ammo hidden behind walls. The way to discover these is pretty much by spamming the Open Door button while walking along walls.
Save Often You will want to save regularly. Encounters with enemies can go poorly and may require reloading, especially since there are some enemies that can drain your health very quickly.
Read the Manual There’s nothing too important in here. I just think the comic they included as the backstory is kinda neat.
